A little teaser for next week’s production of I Am a Camera in Cambodia, adapted & directed by yours truly. For this version, we moved the action from 1930s Berlin (amid the rise of the Nazis and antisemitic violence) to Phnom Penh in 1969 (amid the build up to Lon
Okay, quick disclaimer: I’m talking about European-style opera here. Cambodia has a rich performance history blending theatre and singing, but it’s never staged an opera. The really exciting thing about this project, which is a version of Mozart’s Magic Flute that’s taken years to put together, is that it isn’t just
As unlikely as it sounds, absurdist theatre is coming to Phnom Penh, with a series of four short plays exploring the darker side of human nature and what pushes us to violence. In French AND English, no less. I am very excited about this. So much so that I interviewed
At first I was afraid, I was petrified I hit you with my shoe- how are you still alive? But now it’s so much worse You could be lurking in my purse You little creep – now I can’t sleep! — Under the bed? Inside the drawer? Or have you
Anyone who lives in or has been to Cambodia knows how fresh the wounds inflicted by the Khmer Rouge still feel today. Unresolved trauma from the civil war and genocide permeates the work of most artists who were old enough to have experienced it first hand (as well as many
