I Am a Camera

A little teaser for next week’s production of I Am a Camera in Cambodia, adapted & directed by yours truly. For this version, we moved the action from 1930s Berlin (amid the rise of the Nazis and antisemitic violence) to Phnom Penh in 1969 (amid the build up to Lon Nol’s coup and the rise of anti-Vietnamese violence). Read more about the show here! >>

Cambodia is About to Stage Its First Ever Opera

Okay, quick disclaimer: I’m talking about European-style opera here. Cambodia has a rich performance history blending theatre and singing, but it’s never staged an opera.

The really exciting thing about this project, which is a version of Mozart’s Magic Flute that’s taken years to put together, is that it isn’t just plonking Mozart in the Kingdom of Wonder. The team have carefully woven together Mozart’s music with traditional Cambodian music and instruments, and reimagined the story as the tale of Rama and Sita from Hindu myth. Oh, and the ultimate show will be staged in an actual Angkor Temple. Amazing.

Anyway, I wrote all about it here. Enjoy!

Albee, Iononsco, Kondoleon and Rebeck… in Cambodia? Absurd!

As unlikely as it sounds, absurdist theatre is coming to Phnom Penh, with a series of four short plays exploring the darker side of human nature and what pushes us to violence. In French AND English, no less. I am very excited about this. So much so that I interviewed the two directors about the upcoming show. If you’re in town and intrigued, read what they had to say about it here >>

Visiting Phnom Penh? I Dare You To Watch This Without Weeping

Anyone who lives in or has been to Cambodia knows how fresh the wounds inflicted by the Khmer Rouge still feel today. Unresolved trauma from the civil war and genocide permeates the work of most artists who were old enough to have experienced it first hand (as well as many who weren’t).

In her newest work, the incredible choreographer Sophiline Cheam Shapiro has taken a completely fresh and unique approach to navigating this trauma and grief, blending traditional dance, theatre and a classic folk tale to explore ideas about revenge and cycles of violence. I was lucky enough to interview her yesterday and to catch the performance at Chaktomuk Theatre… my boyfriend and I were both in tears. It’s just beautiful.

If you’re interested in learning more about the show, Sophiline, and the amazing work she does training the next generation of Khmer classical dancers, have a read of the interview and review here – and if you’re in Phnom Penh over the next few days, make sure you buy a ticket fast, because they WILL sell out!